- * REPRESENTED ARTISTS
- * Amy Dynan
- * Andjana Pachkova
- * Barbara Ryman
- * Claire Primrose
- * David Collins
- * Denis Clarke
- * Eden Lennox
- * Elizabeth Kelly
- * James Barker
- * Margarita Sampson
- * Nicole Taubinger
- * Oscar Martin
- * Robin Lawrence
- * Shaelene Murray
- * Snem Yildirim
- * Spalding
- * Tor Larsen
- - EXHIBITED ARTISTS
- Bic Tieu
- Black Pacha
- Brendon Stewart
- Christel van der Laan
- Clare Hooper
- Derryn Tal
- Diane Appleby
- Felicity Peters
- Felix Gill
- Fiona Meller
- Gretal Ferguson
- Harley Oliver
- Jill Crossley
- Jo Wood
- John Donegan
- Merilyn Bailey
- Sally Simpson
- Sione Falemaka
- Susanna Strati
- Tom Christophersen
- Vicki Mason
- Zoe Brand
Christel van der Laan
Contemporary jewellery is often concerned with the personal stories and journey of the maker. The selection and composition of materials to give form to thoughts, feelings and memories, is often the most challenging and exhilarating part of the process of making.
CLICK HERE - Parts of the Story 29th October - 22nd November 2014
The works in this exhibition challenge notions of preciousness in jewellery by drawing attention the cruel practice of poaching and culling elephants in the pursuit of ivory for personal adornment.
The necklaces invite the viewer/wearer to re-think notions of perceived and actual value and questions how we adorn ourselves - and at what cost, referencing the moment of consumer exchange and accompanying issues of expenditure, guilt, excess, desire and waste.
Although the pieces may be physically wearable they are unwearable and have been conceived to weigh on the conscience of the wearer.
An estimated 300 hours were spent over a three month period to make the necklace At Any Price. Over 9000 nylon swing tags were individually punched and linked to make chains with each link consisting of three tags. The chains in turn, were woven around and through each other until a sold form was created that could retain its shape.
Collecting, arranging and making things have been a part of my life since I can remember. It is a passion I have shared with my parents, grandparents, aunts and uncles who between them have (had) careers or interests in everything from antiques, tribal art, textiles, photography, contemporary art, furniture and design to plant and animal life.
Born in the Netherlands, I emigrated with my family to South Africa as a child, returning to the Netherlands to complete my secondary education, before moving to Australia. Ours was a childhood of dazzling natural environments and exotic cultures. Often my extended family would visit and trips into the "veld" and later, "bush" would yield unexpected booties and a wealth of impressions, while second hand shops and roadside vendors were a source of many extraordinary finds. These items or later finds with associations to particular times and places frequently find their way into my jewellery.
My recent work evolved out of the spontaneous exploration and experimentation with materials with an emphasis on making parts and components that only later were combined into complete works. I have become more interested in achieving subtle dynamic tension between compositional elements in my work and by spending time focusing on creating poetic visual language without the constraint of having to make finished pieces, I hoped to stimulate my process and enrich my practice.
The concept of preciousness in jewellery and the search for beauty in the discarded and overlooked in our everyday lives has interested me for some time. In 2008, I was drawn to a piece of ceramic honeycomb that for years had been sitting unobtrusively on my workbench. Usually a soldering aid on thousands of jeweller’s benches around the globe, I began to imagine and explore the new world of possibilities concealed in each 15 x 10 x 1cm block. Experiments followed and tools were trialled before my first real pieces Holier than Thou were created. Pure, white, pristine, perforated and entirely precious, the title was an obvious choice.
From an occasional inclusion, this unlikely stuff is now the dominant focus in my work and thanks to grants from the Australia Council for the Arts and the Department of Culture and the Arts, Western Australia I have been able to spend months cutting, carving, comparing, contrasting, constructing.
Collected materials some dating back to my childhood, were also incorporated into the works, among them stones from my collection of Victorian fob seal blanks. Others included antique cut steel beads vintage glass buttons and plastics, mother of pearl, building materials and electrical parts.
There is something incredibly satisfying in creating these entirely hand-made objects. It is a slow, labour intensive process: The delicate honeycomb must be carved carefully to avoid chipping and breakages. Once painted and/or sealed, it becomes more robust. I agonise over the choice and final placement of all elements in the composition. But as I rhythmically file and sand, with every movement revealing more pattern, line and form, I feel I have found my place in jewellery world.
Christel van der Laan
Born: 1963 in Son en Breugel, the Netherlands. Arrived in Western Australia in 1981.
Since 1998 own jewellery workshop
1998 Diploma of Art & Design/Jewellery, West Coast College, Carine, Perth, Australia
1988 Bachelor of Arts (Hons) Murdoch University, Perth, Australia
2014 Parts of the Story, Stanley Street Gallery, Sydney Australia
2006 Price-less, Katherine Kalaf Gallery, Perth, Australia
SELECTED EXHIBITIONS AND FAIRS
2014 A Fine Possession: Jewellery and Identity, The Powerhouse Museum, Sydney, Australia
2013 Bodywork: Australian Jewellery 1970 – 2012, National Gallery of Australia (touring )
Red To Wear Stanley Street Gallery, Sydney
2012 Intergalactic, Dunedin Fine Arts Center, Florida, USA. Represented by Charon Kransen Arts Design = Wzornictwo, Design Centrum Kielce, Kielce, Poland
Collect 2012, Saatchi Gallery, London, Galerie Louise Smit
20 Years: Rhianon Vernon-Roberts Memorial Collection of Contemporary Australian Jewellery, Art Gallery of South Australia, Adelaide, Australia
International Jewellery based on Ready-mades, Skien, Norway
OBJECT Rotterdam 2012 Galerie Louise Smit, the Netherlands
2011 17 Curators, 17 Nominees, Galerie Louise Smit, Amsterdam, the Netherlands
Laget I Verden: From the World, National Museum of Art Architecture and Design, Oslo, Norway (touring)
Cinderella's Stories: Contemporary Jewellery from Western Australia, Beaver Galleries, Canberra, Australia, Lesley Craze Gallery, London, UK
Tinker, Tailor, Soldier, Sailor: 100 Years 100 Women 100 Stories 100 Brooches, Artisan, Brisbane, Australia (touring)
2010 SOFA New York, SOFA Santa Fe, SOFA Chicago, USA, represented by Charon Kransen Arts
2010, Perth Galleries, Perth, Western Australia
2009 SOFA Chicago, USA, represented by Charon Kransen Arts
Evoking Mystery: 20 International Jewellers, de Novo, Palo Alto, USA
SOFA New York, USA represented by Charon Kransen Arts
Evoking Mystery: in front of the existing title: 20 International Jewellers, de Novo, Palo Alto, USA
2008 SOFA Chicago, USA represented by Charon Kransen Arts
SOFA New York, USA represented by Charon Kransen Arts
Within Without: Contemporary Jewellery from Western Australia, Zu design, Adelaide, Australia
2007 Explorations 2007, Gaffa Gallery, Sydney, Australia
Itami International Craft Exhibition - Jewellery, Itami, Japan
30th Alice Craft Acquisition, Territory Craft Alice Springs, Australia
50 Brooches, CQ Gallery, Brisbane, Australia
2006 The Necklace Show, Velvet da Vinci, San Francisco, USA
National Contemporary Jewellery Award, Griffith Regional Art Gallery, Griffith, Australia
Parameters of Preciousness, Gahlberg Gallery, Chicago, USA
2005 Contemporary Wearables 2005, Toowoomba Regional Art Gallery, Toowoomba, Australia (touring)
100 Brooches, Velvet da Vinci, San Francisco, USA
29th Alice Craft Acquisition, Territory Craft, Alice Springs, Australia
2004 200 Rings, Velvet da Vinci, San Francisco, USA
National Contemporary Jewellery Award Griffith Regional Art Gallery, Griffith, Australia.
Odyssey, Gallows Gallery, Perth, Australia
2003 Contemporary Wearables 2003, Toowoomba Regional Art Gallery, Toowoomba, Australia (touring)
WORKS IN PUBLIC COLLECTIONS
The National Gallery of Australia, Canberra, Australia
The Art Gallery of South Australia, Adelaide, Australia
The Powerhouse Museum, Sydney, Australia
The Alice and Louis Koch Collection, Switzerland
Griffith Regional Art Gallery, Griffith, Australia
AWARDS AND GRANTS
2011 New Work Grant, Australia Council for the Arts
Development Grant, Department of Culture and the Arts, Western Australia
2010 Open Award: 2010 Jewellers and Metalsmiths Group WA Inc
2006 Open Prize: National Contemporary Jewellery Award, Griffith Regional Art Gallery Griffith, Australia
2006 Craft-In-Site Grant (FORM and the Australia Council)
2004 Precious Metal Prize: National Contemporary Jewellery Award Griffith Regional Art Gallery, Griffith Australia
1995 Two Highly Commended Designs: Western Mining Gold Jewellery Design Awards
1994 Highly Commended Design: Western Mining Gold Jewellery Design Awards