In creating these 'Virtual Relics', I have combined the idea of ancient and revered religious objects, carefully preserved in sealed containers for the edification of the faithful with more contemporary items and concepts, less likely to inspire spiritual awe yet inviting contemplation and disturbing conclusions. In each piece I attempt to recapture pasts; real, imagined or simply felt as well project a virtual and potentially threatening future into the mind of the viewer.
Tor Larsen
Graphic Gothic, 2018
Wood and Glass Frame, Photo Image On Paper
21 x 14.5 x 3.5 cm
Tor Larsen
The Way of The Sword, 2018
Gilt frames, Wood, Paper, Antique trousse
36 x 22.5 x 15.5 cm
Tor Larsen
The Way of The Gun, 2017
Wood, Polyester, Resin
27 x 10 x 9 cm
Tor Larsen
Trying It On (rear view) , 2018
Timber and Glass Box, Bones, Electrical Circuit, Rusted Machine Parts, Electrical Valve
24 x 21.5 x 14.5 cm
Tor Larsen
The Last Fish, 2017
Gilt frames, Painted metal sheet, Fish carcass, Wood, Fabric
36 x 22 x 10 cm
Tor Larsen
Russia and Us, 2017
Wood, Textile, Acrylic sheet, Electric Candle, Gilt frame, Newsprint, Soviet memorabilia
36.5 x 22 x 9 cm
SOLD
Tor Larsen
Post Enlightenment , 2018
Gilt frame, Wood, Resin, Brass
10.5 x 10.5 x 11.5 cm
SOLD
Tor Larsen
Keeping The Lights On, 2017
Gilt Frame, Wood, Coal, Ceramic, Switch Solar Panel, Electric Circuit
30 x 15 x 7 cm
SOLD
Tor Larsen
Joyful Worker , 2018
Plastic, Steel, Aluminium, Brass, Electric Circuit, MDF
44 x 22 x 22 cm
SOLD
Tor Larsen
I am Not a Machine, 2018
Thermoplastic, Acrylic sheet, Aluminium, Electric circuit, Servomotor
26 x 11 x 11 cm
SOLD
Tor Larsen
Hand Of God , 2018
Wood and Glass Frame, Photo Image On Paper, Bones
21 x 14.5 x 3.5 cm
SOLD
Tor Larsen
Access Denied, 2017
Gilt frame, Wood, Brass, Bone, Paper, Mirror, Plastic
40.4 x 20.5 x 17.5 cm
Tor Larsen
Future Relic, 2018
Wood, Plastic, Aluminium, Steel, Electric circuit
36 x 15 x 9 cm
Tor Larsen
Feeling Dusty, 2017
Gilt Frame, Polystyrene foam, Sawdust, Paper, Wood, Electric Circuit, Brass, Glasses
37.5 x 23.5 x 23 cm
Tor Larsen
Cut Through, 2018
Pressed metal, Saw blade, Plastic, Wood
40 x 33 x 20 cm
Tor Larsen
Containment , 2018
Gilt lid, Painted wood, Paper, Cut glass relic
16.5 x 18.5 x 18.5 cm
SOLD
Tor Larsen
Bio Drone (sea) , 2018
Timber and Glass Case, Electronic Valve, Brass, Acrylic, Bones
17.5 x 30 x 20 cm
Tor Larsen
Bio Drone (air) , 2018
Timber Glass Case, Machined Brass Steel Aluminium, Bones
22.5 x 20 x 15 cm
SOLD
Tor Larsen
Autopsy , 2018
Resin, Micro plastic, Plastic Bottle, Wood, Glass
36 x 27 x 19 cm
Tor Larsen
Artificial Life , 2018
Thermoplastic, Acrylic sheet, Steel Aluminium, Brass, Electric Circuit Rubber
64 x 30.5 x 30.5 cm
Tor Larsen
All Seeing Eyes, 2017
Wood, Gilt frame, Thermoplastic, Silver, Opals liver, LED illumination
33 x 27 x 15 cm
Tor Larsen: Artist Statement & Bio
Tor’s artwork is inspired by film making processes in which a scene is defined by a camera frame enclosing environments, objects/props that viewers mentally and occasionally physically interact with. His disturbing and surreal creations are infused with a sense of lost history, changing social/philosophical values as well as well as darker subconscious themes.
The choice of materials has always been important for Tor. His preference for found and recycled materials and objects imbued with their own history, is crucial to his conceptual development, often informing the construction, ultimate shape and meaning in a given work.
Also crucial to his create process; is the juxtaposition of unlikely materials, objects and ideas as a means of stimulating thought and emotional responses in the viewer, sometimes affected through mechanical interaction with a work where the viewer becomes part of the process of its realisation.
Much of Tor's work attempts to recapture pasts; real, imagined or simply felt as well as to project a virtual and potentially threatening future into the mind of the viewer.
As an artist, Tor gained early exposure to tools and processes in his parent’s jewellery workshop. His first jobs were as a model and prop-maker which led to further employment in the film industry building miniature scenes and creating visual effects. In 1998, he completed a diploma in production design at the AFTRS, following which he worked for various companies and productions on the Gold Coast and in Melbourne as an art director and visual effects coordinator, eventually becoming a producer in Sydney. In 2015 Tor completed a degree in political economy at Sydney University. More recently he has been making jewellery, small sculptures and miniature installations that reflect his political, social and historical/cultural interests as experienced through the cinematic frame. His most recent exhibition was held with his parents and sister, Two Generations: Larsen & Lewers Pia Larsen, Tor Larsen at Spot81 gallery, Sydney in 2016.
Group Exhibition
Art in Isolation
July 6-August 6, 2020